Go home.....this is the Minneapolis police....the
party's over...if you all just grab your stuff &
leave there won't be any hassle..the party's been
closed....
Kids won't listen
To what you're sayin'
canut
22.1.26
19.1.26
Sonny Smith -Anthology of Unknown Music Volume 1
- anthology of unknown music volume 1 is a collection of rare and obscure musical works by unknown artists from Berkely fingerpicking virtuoso Merriweather Bradley to Appalachian banjo player and travelling mystic Vondalee Cheavrant aka Blood World. the LP features twenty unheard of songs from the past and sometimes future. this chapbook contains the biographies and backstories of the artists who created these songs.many years ago i made an art project called 100 Records in which i made up bands and made the music for the made up bands and artists made the record covers for the made up bands.
i continued it this last year and the opening reception is January 22 at Minnesota Street Projects, 6-9pm.
The show is called ANTHOLOGY OF UNKNOWN MUSIC Vol. 1 and it is accompanied by a beautiful LP, with individual silk screen covers, and twenty songs.
And many of my favorite artists have contributed to this show, above is just a small sample.
I also made a jukebox to play all the songs. Also a zine with all the backstories and bios of the made up bands.
18.1.26
Earth Girl Helen Brown - Oh! What a War
Oh! What a War is a production of the Earth Girl Helen Brown Center for Planetary Intelligence Band (E.G.H.B.C.F.P.I.B.) with video synthesizer footage courtesy of Lefty Rybrow (Ryan Browne). The narrative is intended to provide a brief history of American armed conflicts over a 500+ year history however many armed engagements of the United States are not accounted for in this story nor are they in the common historic record. These blank spots are the result of numerous forces influencing the telling of history including discrepancies in the classification of such conflicts as war/not war such as the current global network of US special operations forces and any number of past conflicts funded by the American taxpayer without any official declaration of war. The 12-year long Cold War-era civil war in El Salvador which claimed 75,000 lives with heavy backing by the Carter and Reagan administrations is one such example of a serious foreign engagement that does not make the official roster of American wars. If your war was not included, we apologize. For those offended by the content of this story please note that the raw timeline and subjects of this narrative were drawn from the common informational sources below. We hope that the lyrical suggestion that there is “really nothing left” of the American Indian does not offend those American Indian populations surviving and thriving today. This is a lyrical device meant to reflect the relentless and brutal force of the US Military assault on the American Indian in a series of conflicts which dominate the early history of American war from 1775-1923 and which are regarded by many historians and academics as being genocidal in nature. We single out top military contractors as complicit as it is only those individuals and organizations that make war their business who profit off its propagation. All others pay. We believe in peace.
Recorded in Los Angeles by Ty Segall and Heidi Alexander
Heidi Alexander - Vocals / Guitar
Ty Segall - Bass / Drums / Keys
Jack Name - Guitar
Mikal Cronin - Saxophone
Tahlia Harbour - Vocals
David Cousin - Vocals
Nora Keys - Vocals
Enrique Tena Padilla - Vocals
14.1.26
13.1.26
12.1.26
Prostitute - Mr. Dada
normanrecords
Prostitute announce their debut album Attempted Martyr, a fiercely focused statement from the Dearborn, Michigan five-piece. Long hailed as one of the US underground’s most provocative new bands, they channel pure volatility into something brutally disciplined — a collision of razor-edged rhythm, explosive vocals and a thematic fixation on identity, desperation and endurance under late capitalism.
Written during a period of intense global and personal strain, Attempted Martyr forms a loose narrative tracing the rise and unravelling of a zealot consumed by visions of holy retribution. The record’s turbulence is shaped by blaring Middle Eastern, African and East Asian motifs, all sharpened under the guidance of producer Chris Koltay. It’s a dense, urgent work that mirrors a world coming apart, and one that has already sparked significant attention through critical praise, online buzz and a series of swiftly sold-out bootleg editions.
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