For fifty years, Pascal Comelade and his pianos have operated like elusive outlaws in the world of instrumental music. Impure products of the 70s counter-culture, their pocket melodies and repetitive patterns orchestrate an influence peddling as singular as it is secretly organized - between ballroom dances, primitive rock'n'roll, genre music, Catalan traditions and avant-garde deviance.
1 commentaire:
Ce trucage à la Dali n'est rendu possible que parce que Bela Lugosi's Dead dans une chanson du groupe néofolk Bauhaus.
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